By Curt Cloninger
Layout philosophies may be important, yet idea, inventive recommendations, and effective paintings behavior are what relatively get the activity performed. fashion designer, teacher, and writer Curt Cloninger presents a mess of ideas, instruments, and practices that readers can use to inject an important dose of creativity into on the subject of any layout venture. With illustrations drawn from 20th-century French philosophy, medieval manuscripts, punkrock posters, and extra, Curt’s cutting edge textual content introduces readers to his own toolkit for hot-wiring the artistic technique. You’ll study recommendations to:
• realize and think on your artistic powers
• advance potent equipment for comparing your personal work
• Draw idea from the past
• Use general software program in experimental methods, and locate nonstandard functions to create new effects
• hold a private layout playground
• Mine your unconscious with the indirect innovations playing cards, constructed through Brian Eno and Peter Schmidt
• Un-stick your mind's eye by way of “blitz-designing” mock-ups
Curt Cloninger is an artist, dressmaker, writer, and teacher in Multimedia Arts & Sciences on the collage of North Carolina at Asheville. His book clean types for internet Designers: Eye sweet from the U nderground (New Riders, 2002) is an regular on artistic website design suggestions. Curt’s artwork and layout paintings has been featured in I.D. Magazine, HOW Magazine, The ny Times, Desktop Magazine, and at electronic arts fairs from Korea to Brazil. He frequently speaks at foreign occasions equivalent to HOW layout, South by means of Southwest, net layout global, and dossier. His pirate sign declares from lab404.com to facilitate full of life conversation
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Additional resources for Hot-Wiring Your Creative Process: Strategies for print and new media designers
THERE IS TOO MUCH OF AN INTERFACE BARRIER BETWEEN YOUR HEAD, YOUR HAND, AND THE DIGITAL IMAGE THAT RESULTS. related to everything else in some way. Starting from “cactus,” try to “sketch your way home” to your original design problem. Your design problem is the control; your random word is the variable. It doesn’t matter what random word you choose—it will always connect to your design problem in some way, providing a backdoor into it. This approach may seem bizarre, but it can yield original results.
You’ve got to address not only look but also feel, hierarchy, and interactivity. There are other analog ways to sketch besides with pencil and paper. You can sketch by cutting and pasting newspapers, collaging, painting; you can even use crayons. Each approach will lead you down a slightly different conceptual path, which is what you want. The more paths you explore, the more likely you are to come up with a winning concept. You can always explore conceptual paths in your mind, away from your desk.
If you’ve got to err in one direction or the other, better to risk too much self-conﬁdence. If your design solutions are too risky and brash, it’s not rocket science to tone them down a bit. On the other hand, if your design solutions are too safe and timid, it’s much more difﬁcult to ramp them up a bit. To use a baseball metaphor, it’s easier to hit a long triple and stop short at second base than it is to turn a bunt into anything more than a single. A bunt will only ever be a bunt. Freshman design students are inordinately plagued by self-doubt.
Hot-Wiring Your Creative Process: Strategies for print and new media designers by Curt Cloninger