History and Literature in Contemporary Russia by Rosalind Marsh PDF

By Rosalind Marsh

ISBN-10: 0333583108

ISBN-13: 9780333583104

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74 At the end of the play the Outsider is revealed to be Engels,75 thus emphasizing both Lenin's Marxist heritage and the impeccable Marxist-Leninist credentials of the current regime. The Years 1985-6 39 The most powerful witness for the prosecution in Shatrov's play is the revolutionary Pyotr Verkhovenskii, one of the main villains in Dostoevskii's novel The Devils, who declaims his famous monologue defining revolutionary socialism as equality for nine-tenths of the population achieved by enslaving them to an elite composed of the remaining one-tenth; the destruction of all genius and outstanding individual talents; the imposition of obedience through mutual suspicion, widespread denunciation and the removal of suspect individuals.

83 Afanas'ev himself and Ivan Laptev, the editor of Izvestiya, also came under attack; and the revitalized journal Twentieth Century and Peace, which had been the first, in early 1989, to publish a work by Solzhenitsyn - his article 'Live not by Lies' -^prefaced by a comment by Igor' Vinogradov that his exile The Background 21 was 'shameful', was subjected to severe pressure in late 1989. At the same time the polarization of the writers' community grew more intense, taking a particularly ugly form at the plenary meeting of the RSFSR Writers' Union in mid-November 1989, when the Union of Writers was accused of being a 'Zionist organization' (although at most a quarter of its members were Jewish, and all were writing in Russian).

1 attempted to set limits to the new press freedoms. 83 Afanas'ev himself and Ivan Laptev, the editor of Izvestiya, also came under attack; and the revitalized journal Twentieth Century and Peace, which had been the first, in early 1989, to publish a work by Solzhenitsyn - his article 'Live not by Lies' -^prefaced by a comment by Igor' Vinogradov that his exile The Background 21 was 'shameful', was subjected to severe pressure in late 1989. At the same time the polarization of the writers' community grew more intense, taking a particularly ugly form at the plenary meeting of the RSFSR Writers' Union in mid-November 1989, when the Union of Writers was accused of being a 'Zionist organization' (although at most a quarter of its members were Jewish, and all were writing in Russian).

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History and Literature in Contemporary Russia by Rosalind Marsh


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