Get Christian Horror: On the Compatibility of a Biblical PDF

By Mike Duran

To such a lot, the time period “Christian horror” most likely sounds like an oxymoron. however, there are first-class arguments to be made that “horror” is an eminently biblical style and that Christian artists may be on the vanguard of reclaiming it. during this paintings, novelist Mike Duran explores the Judeo-Christian roots of up to date horror, the non secular topics that body a lot of the horror paintings, and the way evangelical tradition has come to distance itself from this kind of in all probability wealthy and strong medium. Duran appears at Christian artists and authors whose works hire the macabre and gruesome. From surrealist Hieronymus Bosch to Southern Gothicist Flannery O'Connor to the grasp of horror Stephen King, we will be able to hint a highly biblical worldview that frames their visions of terror. alongside the best way, Duran solutions objections whereas constructing an apologetic, now not for a brand new sub-genre, yet for a rethinking of the explanations that "Christian horror" has grow to be considered as such an oxymoron.

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12] Madam Mina, having succumbed to Dracula’s allure, proclaims from her cursed estate, “God grant that we may be guided aright, and that He will deign to watch over my husband and those dear to us both, and who are in such deadly peril. As for me, I am not worthy in His sight. Alas! ” [13] Stoker’s Dracula brims with explicit Christian content and a biblical worldview. Unlike many trends in contemporary vampire mystique, Stoker’s vampire is not glorified, romanticized, or portrayed as anything but a vile, hellish being, the spawn of Satan, a creature cursed and damned.

Then Satan went out from the presence of the LORD and smote Job with sore boils from the sole of his foot to the crown of his head. And he took a potsherd to scrape himself while he was sitting among the ashes. (Job 2:7-8) While Satan’s nature and that of the heavenly war he orchestrated are not detailed in Scripture, this idea of “fallen angels,” invisible beings who are opposed to God, His rule, and His people is an integral part of a biblical worldview. And clearly, as evidenced by Job, humanity is in their crosshairs.

It was, indeed, a prominent feature of the elaborate ceremonial magic, with its rituals for the evocation of daemons and spectres, which flourished from prehistoric times, and which reached its highest development in Egypt and the Semitic nations. Fragments like the Book of Enoch and the Claviculae of Solomon well illustrate the power of the weird over the ancient Eastern mind, and upon such things were based enduring systems and traditions whose echoes extend obscurely even to the present time.

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Christian Horror: On the Compatibility of a Biblical Worldview and the Horror Genre by Mike Duran

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